Her presence is like a dare-ya for a man. Jolie continues to stalk through pictures entirely on her own terms.

Another purpose is to show off these two splendid human beings, and I am happy to report that there is even a certain amount of nudity-which you would expect with this passionate story, but then again you never know, now that studios are scurrying into the shelter of the PG-13 to hide from pruny congressmen. The purpose of the movie is not really to tell its story, anyway, but to use it as an engine to pull Banderas and Jolie through scenes of lurid melodrama, dramatic ultimatums and stunning revelations. There are surprises on top of surprises, and I will tread carefully to preserve them. Like many good thrillers, it really gets rolling only after we think we've already seen through the plot. Another of his books inspired Hitchcock's ' Rear Window'-and indeed this one was earlier filmed as 'Mississippi Mermaid' by Francois Truffaut, in 1969 ( Jean-Paul Belmondo and Catherine Deneuve played the roles). 'Original Sin' is based on the novel Waltz into Darkness, by the famous noir writer Cornell Woolrich. 'Neither one of us can be trusted.' Actually, he can. 'Then we have something in common,' she says. He confesses, too: He owns his plantation and is not simply a worker there.

She confesses she sent the wrong photo because she did not want a man who was attracted only to her beauty. This sultry vision is not the plain woman in the photograph he holds. She is meant to be kind, true and young enough to bear children.' 'You don't recognize me, do you?' Julia murmurs in a thrilling low register, as he finds her standing before him at the dock. His expectations for the bride are realistic: 'She is not meant to be beautiful. Love is for those people who believe in it'). Handsome and rich, he has never married ('Love is not for me. This prologue undermines any romantic illusions as the story itself begins, circa 1900, introducing us to a wealthy Cuban coffee planter named Luis Durand ( Antonio Banderas), who anticipates the arrival of a mail order bride named Julia Russell (Jolie). She's telling the story of why she happens to be in a jail cell these flashbacks will eventually reveal that she has been condemned to death by garroting-a nasty way to go, as the executioner turns a screw to tighten an iron collar around your neck. Eventually we tear ourselves away from the sight, and realize she's talking. And what lips they are, plump and pouting and almost bruised. The first shot on the screen is a closeup of Angelina Jolie's lips.

Where was the movie original sin shit